Nicholas Weiller, known as Bro Safari, and Jacob Stanczak, aka Kill the Noise, have launched their new duo, Kill Safari, to much anticipation in the electronic dance music scene. Each artist has carved out a distinct niche in the industry; Bro Safari is celebrated for his innovative trap and bass music, while Kill the Noise is known for his high-energy dubstep and electro tracks.

With Kill Safari, they blend their individual strengths—Bro Safari's infectious melodies and beats combined with Kill the Noise's heavy drops and intricate sound design. As they embark on this exciting journey, they have lined up a robust tour schedule that highlights their commitment to connecting with fans across the globe. Each show promises to be a high-energy, captivating experience.

The duo aims to create a fresh sound that resonates with fans of both artists while attracting new listeners. Their collaborative efforts promise to deliver electrifying performances and groundbreaking tracks that reflect their love for music and creativity. As they embark on this exciting new chapter, Kill Safari is poised to make a significant impact on the EDM scene, captivating audiences with their innovative sound and high-energy shows.

Kill Safari

Inspired and driven by the future of electronic music, its story-telling potential and ability to convey powerful emotions, IMANU is the brainchild of Rotterdam-based Jonathan Kievit. At the forefront of a new generation of producers, he rejects stuffy genre boundaries, rigid tempo expectations and DJ-friendly format formalities and just wants to create genuine emotional electronic music. Nothing more. Nothing less.

Established late 2019, the IMANU project follows an already impressive chapter in drum & bass. Breaking through at the age of just 16 with a highly distinctive and technical brutalist style, he made a remarkable impression in a very short space of time. However, this was only a hint at what was to come. Now in his early 20s, IMANU has already been responsible for releases on significant labels such as VISION, Heaven Sent, UKF and mau5trap, he’s remixed the likes of Apashe, TOKiMONSTA and What So Not & Skrillex and already collaborated with fellow kindred, unclassifiable spirits like Sleepnet, Mefjus and Buunshin. Many more are expected to drop in due course.

Each release joining more dots and weaving an indelible, emotional thread between every genre you can throw a pigeonhole at, IMANU is the culmination of everything that inspires Jonathan. Everything he’s achieved so far, everything he’s learnt and everything that moves him… But flipped in a much more personal and open-armed creative way that focuses purely on the future and where this music can be taken next…

IMANU

Bleak

SIPPY is a Sydney based bass music machine–anyone who’s spent time on the Australian bass music circuit knows the name. She’s built her career blasting her signature gut-rattling seizure-inducing sounds through the sound systems of her country’s famous clubs and festivals, including residencies at ChineseLaundry and The World Bar, and a graduate of the famous ICON Collective Music Production school inLos Angeles. Sippy prides herself on bringing much needed courage and realism to the scene. As a result,her name is synonymous with a fearlessly filthy, heavy, extremely creative and precise bass-forwardsound. She counts the world’s biggest Bass and EDM producers among her most avid and vocal supporters including Zeds Dead, Bear Grillz, Shockone, plus more.


With an official remix for the Chainsmokers under her belt, her first original single released on Deadbeats (on the We Are Deadbeats Compilation Volume 3), partnerships with Nike and Roli, and more projects on the way including her forthcoming EP, one can only describe Sippy’s rise as meteoritic with no signs of slowing down. 2020 we can only expect to see big waves being made from this young producer, a new force to be reckoned with in the bass music scene.

Sippy

Scars In Stereo

Phrva is a rising DJ and producer carving out his lane in the bass music scene. Known for his flips spanning many artists from Billie Eilish to Chase & Status, he has quickly gained support from artists like Subtronics, Four Tet, Zeds Dead, and Peekaboo. His 2024 debut EP, Crave, highlighted his deep, experimental sound with hypnotic atmosphere and subterranean basslines. Standing tall on the shoulders of his brand and music, Phrva also debuted his live show experience supporting Tape B on various dates across North America in 2024. Taking things a step further in 2025 with his festival debut at Lightning in a Bottle, he's also set to make his Shambhala debut this Summer in tandem with the release of the first single offering from his forthcoming Sophomore EP. For Phrva, his music is all about following a feeling and not overthinking the vibe, and with each track, this mission statement is further solidified.

Phrva

Genesis EP

UK trio Gentlemens Club is at the forefront of the worldwide bass music scene, leading the next wave of low-end sounds with their genre-blurring style and groundbreaking livesets. Originally formed in 2013 as a strictly dubstep act by producers/ DJs Coffi, 50Carrot and Soloman, the group now incorporates an expansive sound that explores every shade of bass, from trap hybrids to futuristic basslines and beyond. Armed with an endless stockpile of bass bombs, Gentlemens Club have cemented themselves as one of the fastest-rising acts in electronic music, certified by their international following,global tours and rapidly growing discography that already counts +25 million collective streams.

The Gentlemens Club sound pushes the limits of bass music: On any given track, they can flex wobbly dubstep drops, hard-edged subs and electrified rhythms a top intricate melodies and sophisticated sound design. It’s a boundary-breaking approach that has solidified the all-around bass act as one of the fiercest breakout newcomers in dance music of this decade. In five short years, the trio has secured a number of accolades,including: chart-topping original releases and remixes with the leading labels in dance music, including Big Beat (Atlantic), Bassrush (Insomniac), Deadbeats, Interscope and  RAM Records; collaborations with electronic heavy hitters like Borgore, Jauz and Kayzo; international radio support from BBC Radio 1, Triple J and Rinse FM.

As a live act, Gentlemens Club are an unstoppable force. Their frenetic shows explore the wider bass spectrum, jumping from dubstep and bass house to drum & bass and trap without regard to genre confines. They’ve already dropped unforgettable live sets at leading festivals around the world, including EDC Las Vegas (three consecutive years),îleSoniq in Canada and Rampage in Belgium, the world’s biggest dubstep and drum & bass event. As a headlining and support act, they have toured across 14 countries throughout North America, South America, Europe, Australia and Asia. As well, they have sold out multiple international venues, including Metro City in Perth, Australia, the biggest nightclub on the southern hemisphere, and the Belasco Theater in Los Angeles.Most recently, in 2019, Gentlemens Club supported dubstep pioneer 12th Planet on his Swamplex North American tour; joined Hidden, a nationwide Australian tour, alongside Lil Yachty, TroyBoi and others; and launched their debut headline tour of China.

With fresh releases currently brewing, Gentlemens Club will continue to drive bassculture to new horizons and will explore a bolder approach to electronic music. Stay tuned for their highly anticipated new music

Gentlemens Club

Danger

Yookie

THE DARK SiDE OF THE TRASH EP

Killa

Payday

UK-based Zero has established himself as a pioneer of the modern bass music scene with his signature sound of pounding four-to-the-floor percussion and speed-garage sensibilities.

The internationally touring bass music DJ / producer Zero is one the most exciting acts to arise on the global scene in recent years. Carving out his name with heavy-hitting originals and club-destroying edits, with headline touring across UK, Europe, Australia, New Zealand, and North America, he’s becoming a key player and is working hard to keep bass music, dubstep, and UK rap sounds more forward thinking than ever.
