After only a few years of honing in his craft, South African producer CHEE erupted into the international bass and experimental music scene. Once his music began circulating, his sonic innovation and advanced production skills quickly earned him the attention of many top tier acts, gaining him support from names like Noisia, Culprate, Amon Tobin, Mat Zo, and G Jones. It is clear that there are no limits for this young artist, who uses his unique sound design to span across a variety of genres and labels.


His first full-length album “Fear Monger” was released in 2017 by Saturate Records and solidified his spot as an innovator. In 2020, his last release on Zeds Dead’s successful imprint label, Deadbeats, received strong praise from fans and fellow producers alike. Billboard Dance named him to their April 2020 emerging artists list and noted, "His brand of low-end sound design is unique: eerie and slow-burning, yet riveting and darkly beautiful." As he continues to build momentum, Chee turns the page to 2021 with the release of his second EP ‘Paralysis Analysis’ on Deadbeats, featuring four solo tracks and a sound bending collaboration titled ‘Fight Club’ with Mr. Carmack. Chee has seen exponential growth over the past few years and continues to develop into one of the most talented beat makers in the scene.

Chee

Chee - Rusty Nickels

Mikey Miele or better known as MYTHM, is a Dubstep and experimental bass music producer hailing from Vancouver, Canada who has quickly become a rising talent within the electronic music scene. Taking inspiration from genres: Dubstep, Grime, Drum and Bass, Hip-hop and more, the Canadian artist has helped fortify the growth of Dubstep and bass music with his forward thinking productions since the inception of his project in 2019. The sounds of MYTHM consist of a mesmerizing blend of eerie atmospheres, rupturing basslines, hefty percussion, swift vocal chops and hypnotic melodies. Incorporating both analog and modular gear into his sound design, Miele is no stranger to experimentation and uses hands-on hardware to create otherworldly soundscapes and audible distortions. MYTHM has released his work on respected labels such as Artikal Music UK, Deadbeats, Deep, Dark & Dangerous, Wormhole, Wheel and Deal Records and has received support from the likes of renowned producers: J:Kenzo, Truth, Zed’s Dead, N-Type, Liquid Stranger, and Peekaboo, to name a few. Miele has caught the attention of many with his consistent, quality releases and high energy live performances which have taken him to major music festivals like Shambhala, Lost Lands, Lightning In a Bottle, Infrasound and Beyond Wonderland. Riding this momentum, MYTHM leaves no room for stagnancy as he lives for the endless possibilities and boundaries that have yet to be pushed.



Mythm

Denver-based by way of Greenville, SC, NotLö is quickly becoming one of the most exciting producer/DJs in bass music. Drawing from her experience as a queer woman in electronic music, NotLö has used her platform for a variety of causes by donating proceeds to organizations like The NAACP and RAINN - an organization dedicated to aiding survivors of sexual violence. Emphasizing low end bass with distorted grooves, NotLö takes listeners on a dark and ethereal sonic journey - it’s guaranteed that she will continue to expand her influence and impact on her terms.

NotLö 

NotLö x Mythm - Lies

Bringing together elements of grime, garage, reggae, and drum'n'bass, Emalkay's suspenseful tracks made him a favorite among dubstep DJs during the late 2000s. Birmingham, England's Martin Knowles first began releasing garage tracks during the early 2000s, with a couple of EPs appearing on his own Morphic Sounds label in 2005. He signed to dubstep label Boka Records in 2006, and his sound soon became slower, darker, and more tense, with booming bass and spacious yet busy arrangements. Following several singles for the label, as well as a well-received remix of TRG's "Killed It Dead," Emalkay made his debut on Caspa's Dub Police label with the early-2009 single "Explicit." This was followed later in the year by the anthemic "When I Look at You," which became his most well-known tune. Following a few more singles, as well as remixes for Pendulum, Miike Snow, King Cannibal, and others, Emalkay released his debut album, Eclipse, in 2011. The ragga-flavored single "Flesh & Bone" followed in 2012, and the producer ventured into trap with 2013's For the People EP. Emalkay and Caspa collaborated on the 2014 single "Tomorrow," and Emalkay's remix of the Glitch Mob's "Skullclub" was released in 2015.

Emalkay

During the uprise of Dubstep’s popularity over the last 15+ years, we’ve witnessed some of the biggest changes to music and popular culture in recent times. And along with it some of the most exciting and forward thinking music since the turn of the century. Deeply intertwined within that musical revolution is London based DJ and producer Alex Crawford, known musically as The Others.

The Others prolific work rate has seen him compile one of Dubstep’s most extensive and varied back catalogues, responsible for genre classics such as 'Africa VIP', ‘Funhouse', 'First Flight', ‘Gravity', ‘Fallout', ‘Close', as well as his acclaimed debut and genre defining 2012 album; 'Red Planet'. Along the way collaborating with a dizzying array of artists including Emalkay, Virtual Riot, Caspa, Joker, Breakage, Hatcha, Dread MC, Bare Noise, Subscape, J:Kenzo, Virus Syndicate, Bukez Finezt, Youngsta, Stamina MC, Trolley Snatcha, Proxima and N-Type.

The Others has and continues to work with some of the genre’s most ground breaking labels including DeadBeats, UKF, Disciple, Dub Police, Sentry, NSD: Black Label, Tempa, Wheel & Deal, Sub Soldiers, Boka, Ringo and Subway

The Others

Subscape (Anthony Peters) is an electronic dance music producer and performer. Born and raised in Woking, Surrey UK, Subscape grew up on a diet of drum and bass, jungle and garage. This was a musical education that helped him quickly establish a well-trained ear for bass heavy music and would eventually lead him to the exciting take on the Dubstep sound that he continues to create today. Ever since gaining his first set of decks at fifteen plus and a copy of the music program Reason, Subscape has been continuously creating, practising and honing his craft into what is now the essential Subscape sound. Whilst studying DJing and Music Production at ACM College Guildford, he met like minded fellow artist The Others. Subscape’s early production can be found on Caspa’s legendary Dub Police label; his first release was in 2008 with his most prolific record being the Universal EP featuring lead track “Turn Me On”.

Having toured the world performing his music live to a wide audience, Subscape quickly became a trusted artist within the worldwide Dubstep community. Subscape was a regular act performing at the Dub Police Fabric London residency, with multiple North American tours, including playing at all the legendary clubs and festivals in Europe. It is safe to say Subscape knows and understands how to get an event started. Subscape has progressed to become an artist with a signature sound & style that is euphoric, uplifting and gritty with that dirty dance floor energy. His discography contains a wide variety of exciting and amazing records released across the following labels Dub Police, Subway, SubSoldiers and UKF Dubstep. A collection of prominent remixes include Ed Sheeran (Lego House), Caspa feat Keith Flint (The Prodigy) (War), Ray Foxx (The Trumpeter), and Adam F to name a few. 2023 is set to be Subscape’s most exciting year to date, with some healthy plans to release some highly anticipated music and a schedule return back to the dance floor to play some amazing new music. If you know and love the Subscape sound it is time to get excited... if you are new to the sound, buckle up and get ready for a musical ride filled with Dubstep SUBS.

Subscape

Emalkay, The Others, Subscape - Flashpoint EP

TWONSKi brings a fresh and innovative sound to the electronic dance world, harnessing influences ranging from mainstream pop to underground dance music. His approach is with the sound design of bass music, palatability of house music, and nuance of underground electronic music. He's carving his own lane being just as inspired by the queer dance scene as he does from the world of EDM. With the success of his first EP, CLUB LOVE, he has continued putting out a steady flow of independent self releases earning multiple spots on editorial playlists, as well as his catalog of remixes on Soundcloud dating back to the start of his music career. With a deep passion for dance music and an incredibly strong work ethic, TWONSKi is just starting to heat up and shows no signs of slowing down. Escape with TWONSKi on a magical trip to the space disco :)

TWONSKi

TWONSKi - ASCENDiNG THE RABBiT HOLE

Los Angeles bass producer/DJTsuruda is a classically trained musician who blends elements of experimental hip-hop with avant-garde electronics. First debuting in 2014, Tsuruda has captivated audiences with his dynamic sound and hypnotizing live sets, which have taken him to marquee festivals like Shambhala Music Festival and EDC Las Vegas, in addition to his own solo tours throughout NorthAmerica and beyond. His expansive discography is one of the most impressive bodies of work in independent electronic music. Tsuruda today stands at the upper echelon of bass music culture as an in-demand producer and international touring act.

Tsuruda

Tsuruda - Deathwish EP

GRAIL SOUNDS is a fully anonymous artist project, that is focused on bringing the original UK sound to the US, authentically, while simultaneously providing him an outlet through which to release music that he came up around, growing up in the poverty stricken council estates of the UK.

GRAIL SOUNDS

GRAIL SOUNDS - Gully String

SIPPY is a Sydney based bass music machine–anyone who’s spent time on the Australian bass music circuit knows the name. She’s built her career blasting her signature gut-rattling seizure-inducing sounds through the sound systems of her country’s famous clubs and festivals, including residencies at ChineseLaundry and The World Bar, and a graduate of the famous ICON Collective Music Production school inLos Angeles. Sippy prides herself on bringing much needed courage and realism to the scene. As a result,her name is synonymous with a fearlessly filthy, heavy, extremely creative and precise bass-forwardsound. She counts the world’s biggest Bass and EDM producers among her most avid and vocal supporters including Zeds Dead, Bear Grillz, Shockone, plus more.


With an official remix for the Chainsmokers under her belt, her first original single released on Deadbeats (on the We Are Deadbeats Compilation Volume 3), partnerships with Nike and Roli, and more projects on the way including her forthcoming EP, one can only describe Sippy’s rise as meteoritic with no signs of slowing down. 2020 we can only expect to see big waves being made from this young producer, a new force to be reckoned with in the bass music scene.

Sippy

NEOTEK is a futuristic, Forward-thinking bass music producer from Australia at 21 years of age. He has been carefully crafting his sound for over 6 years and influences mainly from Dubstep,Trap and Future Bass.

He has been supported by some of the biggest artists in the Bass scene such as Steve Aoki, Zeds Dead, NGHTMRE, Excision, Subtronics, DJ Diesel, Alison Wonderland, 4B, and


NEOTEK bases his branding heavily on a cyberpunk/synth-wave theme and brings his hard-hitting basslines to listeners around the world. This has led to his music being played at very reputable venues such as 

 one of Australia’s biggest radio stations.

Neotek

Sippy, NEOTEK - Bone Breaker

BLVK  JVCK has  been  establishing  himself  as  a  production  pioneer since  2017  and  has  shown  no  signs  of  slowing  down  since.  BLVK JVCK  (aka  Jermaine  "Mayne  Zayne Jackson),  is half of  the  legendary production duo The Runners, who are behind the sonic innovation of hit singles  and  club  records  for  some  of  the  biggest  names  in  music.

These  names  include DJ  Khaled "Go  Hard”, Rick  Ross “Hustlin",  and official  remix  for Bruno  Mars’  global  smash  “That’s  What  I  Like” amongst  a  vast  library  of  tracks  for  artists  including Rihanna, Justin Bieber, Chris  Brown, Lil’  Wayne, Usher, Fabolous, Fat  Joe, and H.E.R.

Widely  known  for  fusing  dubstep  with  a  hip-hop/trap  production  and heavy, punishing drops (what he refers to as HOODSTEP), BLVK JVCK is  unstoppable  as  of  late,  and  recent  singles  “LUCKY”  (feat. TayMoney), “DAT WAY” (feat.Icy Narco), GVNG X4 (feat.

Comethazine), “HITTIN  EERBODY”  (feat. TITUS)”  and  collab  with NGHTMRE on  the VIP remix for “Cash Cow” (feat. Gunna) are proof.

With a string of undeniable hits in a relatively short amount of time and even  more  new  music  on  the  horizon, BLVK  JVCK  is  sure  to  gain further recognition and more fans in 2020

BLVK JVCK

BLVK JVCK x Zoobstool - PRESSURE

Michael Petzel aka Shlump grew up in California’s Bay Area, learning the guitar at age 9 and falling in love with music at first through the energy of metal and punk. Developing a taste for electronic music in high school via Apex Twin, Squarepusher, and WarpRecords, he began to jump into music production, combining drum loops with recordings of his guitar. After being blown away by the sub bass in his intro to dubstep, Coki and Cluekid’s “Sensi Dub”, and experiencing his first west coast electronic music festivals, Michael’s love for bass music bloomed and he began to develop his signature sounds as he dedicated himself to his music career. 

Infusing elements of classic dubstep with west coast flavour with otherwordly sound design, Shlump has pioneered his unique “Alien Bass” sound, creating a vibrant galaxy of bass filled with forward thinking nuance and massive waves of low end. His live sets take audiences across the continent on a psychedelic spaceship ride through Shlump’suniverse, visiting high energy devastating supernovas of bass and voyaging into deeper realms filled with the cosmic twinkle of sonic stardust.

Shlump has abducted the ears of a wide range of electronic music fans with releases onWakaan, Deadbeats, Circus Records, Deep Dark & Dangerous, along with collaborations with and remixes for artists such as Liquid Stranger, LSDream, and Doctor P. He has showcased his Alien Bass sound at festival stages such as Lollapalooza, Bonnaroo, Shambhala, Bass Canyon, and many more. 

While at home, Shlump enjoys skateboarding, hiking, and spending time with his kitten and family In between exploring the auditory mysteries of outer space.

Shlump

Smoakland is a West Coast bass music project started by Anthony Battaglia and Harrison Hays. With over 7 years collectively of producing under their belts, they strive to bring a new and refreshing sound, while keeping the nostalgic “old school” vibes of early dubstep.